Preface from the play,
The Trial of George W. Bush, recently published on a Kindle eBook.
Sometime in 2004 I was driving down the road, listening to a lecture on CD in my car. The U.S. had invaded Iraq the year before and it was becoming increasingly apparent to me that the reasons given for the invasion were hubristic lies. I was disappointed, angry, and bursting to do something.
The lecturer on the CD was talking about Aeschylus's
Oresteia, a trilogy of Greek tragedies first performed in 458 B.C. In the first play,
Agamemnon, the title character was murdered by Clytemnestra, his wife, in part as revenge for the sacrifice of their daughter, Iphigenia, to the Greek goddess Artemis. Agamemnon had done this so he could go slaughter the people of Troy.
The second play,
The Libation Bearers, concerned the murder of Clytemnestra by Orestes, her son, in revenge for her murder of his father.
In the third play,
The Eumenides, the Furies, Greek spirits of vengeance, tormented Orestes for the murder of his mother. He sought relief from the gods and Athena persuaded the Furies to accept a trial to decide his fate. The Furies prosecuted, the sun god Apollo was the defense attorney, and Athena was the Judge (and a member of the jury!) Orestes was found innocent because of a hung jury and the Furies agreed to forgo seeking vengeance.
The lecturer explained that Aeschylus, the playwright, was arguing that Greece should give up its ancient system of justice based on "blood for blood." The plays presented the blatant horror of murder after murder ravaging a royal family. Aeschylus instead wanted the Greeks to adopt a system of justice based upon courts and litigation, a more civilized scheme.
I considered what Aeschylus would make of George W. Bush, the American President who had invaded Iraq at least in part in revenge for the attack on the World Trade Center. More than 2000 had died on September 11, 2001, but the US invasions of Afghanistan and Iraq had directly or indirectly resulted in the deaths of hundreds of thousands more. Would the Furies torment Bush relentlessly the way they had attacked Orestes? Who would defend him and what would the result of that trial be?
This then was the genesis of this play. Given that it is my wont to be satirical when it comes to politics, the play is peppered with satire, most at Dubya's expense.
But interestingly, as I was writing, the play began to take on a life of its own. Satire and funny courtroom scenes only went so far. There was something far more serious desperately trying to get out.
I reached back to the play's Greek origins and to characters throughout history to present the faces and horror of war, but that wasn't enough. There was little in the play for the audience to identify with. I needed to arouse the audience's sympathies.
So I added to the larger than life, historical characters ordinary people whose personal lives were irrevocably changed by the horrific event that began this century. Their lives became woven into the fabric of the play.
And that was when this became a ghost story.
- Charles S. Cooper, August, 2011
Link to e-Book page on Amazon.Labels: Aeschylus, Oresteia, Trial of George W. Bush